Archive for the ‘Radio’ Category

Letter to Mary Anne Alhadeff

September 7, 2017

Letter to Mary Anne Alhadeff

To Mary Anne Alhadeff
President and CEO of North Texas Public Broadcasting.

Will not support KERA or KXT. Will ask my readers to not support them too.

For 25 years you have gone out of your way to block all the news and progressive ideas and innovative artists of every kind from Dallas, Texas, and across the country.

You have blocked news of the issues covered by the Dallas zine Musea, a publication in print and online about the arts and media since 1992.

You have blocked the thousands of Dallas musicians, painters, filmmakers, writers, we have supported.

You have blocked the media innovations we have advocated.

You have blocked the progressive ideas we have printed about in the arts and media in Dallas, and across the country.

You have blocked coverage of most serious arts and media issues.

This link is 200 pages of other reasons, in this history of Dallas art and media since 1992. http://www.musea.us/Musea200.htm

Tom Hendricks
Editor of Musea
tomhendricks.us

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Musea Will Not Support KERA (or KXT)

July 6, 2017

MUSEA will not support KERA (or KXT)

The Dallas zine Musea (monthly since 1992) cannot support KERA. We also advocate our readers not to support KERA, and we advocate that the rest of Dallas not support KERA.

For all of the last 25 years:

KERA has not reported on or supported the local and national musicians, painters, writers, filmmakers, photographers, etc.; talked about in Musea.

KERA has not reported on the ideas and solutions suggested from Musea to help all artists of all kinds here and across the country.

KERA has not reported on the ideas and solutions suggested from Musea to help make the media in Dallas better.

KERA has not reported on the ideas and solutions suggested from Musea to help make Dallas a better city.

KERA has gone out of their way to not support anything Musea talked about in 200 issues.

http://www.musea.us/Musea200.htm

http://tomhendricks.us

Three CEO’s Control 80% of Music

April 21, 2017

Three CEO’s from Warners, Universal, and Sony control 80% of the music industry and have ruined it. Here’s more.

You will never hear a protest song on mainstream radio. That means there is no revolt allowed in music. That’s why the revolt in music.

For all musicians out there, unless you are one of 6 main pop stars, you have been marginalized out of a career by 3 CEO’s that run the music business. Join the Dallas rebellion or start your own. For those who want more information…

There are 3 record companies that control 80% of the business, Warners, Universal, Sony. Each has a CEO. That’s 3 CEO’s controlling the music industry. They are in turn owned by the few major media conglomerates. Through this synergy, these few companies make the music, distribute it, promote it on their entertainment outlets, and then give themselves great reviews in the media they own.

The 3 have made it clear,
We only support a generic pop sound. We only promote that type of music, and only for a few. (Swift, Beyonce, Bieber, Adele, Gaga, Perry, and the pop star of the week.)

What else are they saying?

You play folk music? We don’t do folk, so you are out of a career. You play heavy metal? We don’t do heavy metal, so …
You play religious music? We don’t do religious music, so … You play classic rock? We don’t do classic rock, so …
You play classical music? We don’t do classical music, so … You play roots music? We don’t do roots music, so …
You play music and you aren’t a 20 something? We don’t do your music, so … You play kid’s music? We don’t do kid’s music, so …
You play jazz or big band? We don’t do jazz or big band, so… You play instrumentals? We don’t do instrumentals, so …
You play old style soul, r & b, or rap? We don’t do old style, so … You play protest music? We of course never make waves, so …
You play in a new style, are innovative and leading the way? We don’t do that ever! You play ???. We don’t do ???, so you are out of a career – period.

50’s Records Mattered More than the Live Performances

March 25, 2017

To those who lived during the early days of rock and roll, we know that it was not the performance that counted, but the records. 50’s rock n roll was about single records, 45s, not playing live. Once you know that then you can understand the era better – rock was seldom if ever on tv, and when it was the sound was awful. Records and radio was all that mattered to us.

The Radio Buildings.

Musea #200 The PEOPLE Issue – all 100 pages

January 27, 2017

For those who did not get one of the few copies by mail, here is the entire 200th issue of Musea the PEOPLE issue on my website.

Many of you are in it and there are lots of gossip and celebrities – I name names such as all those listed in this teaser page.

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Reader, you will find all this inside and more:

Why did shock jock Russ Martin tie me to a chair with duct tape? Why did Frank Zappa call KNON while I was working there?
Which Musea cover was printed upside down?
Why was my $1,000,000 Collage at 500 X titled Janet Kutner Writes Daffy Reviews. Where was the best deep dish in Deep Ellum?
Why was the Inwood Theater gassed that night?
Why couldn’t the TV repairman hook Stanley Marcus up to cable? Did Musea find a photo of Cy Twombly developing his style on a blackboard? What was in that Musea Stand Gift Box every Christmas at the Inwood? What photo from Charlton Heston’s wife, did Musea run on one of our Covers? Is one of my zine friends perhaps the Best Painter around?
Why did Dallas Luxury Magazine run a full page picture of me? What were Inwood Box Office Concerts?
What did Drive in Movie Critic, Joe Bob Briggs say about Musea? What happened when H. L. Hunt wanted to buy a photograph of himself for $10? Why was I forced out of the Inwood Theater after working there for 24 years? What did Maximum Rock n Roll say about the AACA logo?
Where did the Esquire Theater’s Neon Painter’s Palette end up? Which unassuming Dallas writer/artist wrote the next Pascal’s, Pensees? How did Musea get in the center of a Dallas Morning News, Dallas Observer feud. Who praised Mary Parker for sculptural reliefs from plumbing parts? Which 12 By 12 musician recently had a single of his, sell on Ebay for $887.77? What was Joe Christ like in person?
What musicians recorded a song of mine, then went on to national fame as a trio. What does Musea know about Slack?
When does the Midnight Movie start?
Why did my fellow workers ask David Byrne for his autograph for me? Which music engineer did I work with that had a Gold Record on her office wall? What happened when a stage hand moved Ray Charles mike?
Was Morgan Fairchild beautiful and friendly in person?
Who seemed to need more approval, Joseph Heller, or Nora Ephron? What guitar accessory does Elvis, Jimi Hendrix, and Hunkasaurus have in common? What did Mickey Rooney say to me as he passed by at NorthPark?
Who are the five, Frida and Diego type couples, where both partners are fine artists? Did Musea find a photograph of Cinderella?
Why did I go to Freddie King’s house?
Who stole my zines at the first Art Revolution Festival – I really want to know! Who was Sweater Vest, The Crazy Nurse, or the Popcorn Lady?
Why won’t Willie Nelson’s lawyers let him hear my song, The Ballad of Willie Nelson? Why did the lawyers from Warner Brothers write me?
Why did I get a check from Greg Abbot for $13.88?
When was the last moment of modern art?
Which local guitar hero was sitting in my seat at the Paul McCartney concert? And finally; how did this 8 page Musea 200th issue turn into Tom’s Tome?


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